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Career ladder

From first job to head of department

Common UK practice and ScreenSkills profiles; check names against the Bectu hair, make-up and prosthetics card.

Hair and make-up

  1. Entry grade Hair and make-up trainee Kit, the trailer, helping artists, simple looks on crowd.Read the role
  2. Step 2 Junior artist Supporting artists, crowd, assisting on cast.
  3. Step 3 Hair and make-up artist Your own cast in the chair; standing by on set.Read the role
  4. Step 4 Key artistAlso: senior artist; crowd supervisor Lead cast, or running a crowd team.
  5. Step 5 Hair and make-up supervisor Runs the department day to day: crew, schedule, stock.
  6. Top of the ladder Hair and make-up designer Head of department: the look of every character.Watch and read

Prosthetics

Parallel ladder
  1. Entry grade Prosthetics technician Moulding, casting and running pieces in the workshop.
  2. Step 2 Prosthetics artist Applies and maintains prosthetics on set.
  3. Top of the ladder Prosthetics designerAlso: prosthetics supervisor Designs and supervises the prosthetic work.
Grade by grade: what you need before moving up
Hair and make-up
GradeWhat you doBefore moving up
Hair and make-up traineeKit, the trailer, helping artists, simple looks on crowd.Hygiene, kit care and speed.
Junior artistSupporting artists, crowd, assisting on cast.Speed and consistency on crowd; continuity notes.
Hair and make-up artistYour own cast in the chair; standing by on set.A full shoot with your own actors.
Key artistAlso: senior artist; crowd supervisorLead cast, or running a crowd team.Leading a team on big crowd days.
Hair and make-up supervisorRuns the department day to day: crew, schedule, stock.Managing a department under the designer.
Hair and make-up designerHead of department: the look of every character.A body of work and a director who trusts you.
Prosthetics
GradeWhat you do
Prosthetics technicianMoulding, casting and running pieces in the workshop.
Prosthetics artistApplies and maintains prosthetics on set.
Prosthetics designerAlso: prosthetics supervisorDesigns and supervises the prosthetic work.

Bectu hair, make-up and prosthetics card (rate cards index) · Every department's ladder: Careers A–Z · Getting work · Working freelance

Safety first

Hygiene, skin tests and dignity

Hair and make-up work on faces, eyes and skin, all day. Hygiene stops infections, patch tests stop reactions, and consent and dignity matter in a chair as much as on set.

Start the safety module Take the safety check

Watch first

Module 1 of Costume, hair and make-up. Mark them done there to track your progress.

The hazards

6

What hurts people in this department on UK sets, and what keeps them safe.

  1. HygieneClean brushes, disposables for eyes and lips, no double-dipping, sanitised tools between performers. A dirty kit spreads infection across a cast.
  2. Patch tests and allergiesAdhesives, latex, dyes and some products cause reactions. Ask about allergies at the first chair and patch-test in good time before the shoot day.
  3. Prosthetics and chemicalsProsthetic materials, adhesives and removers need ventilation and the right handling. Prosthetics are applied and removed by trained artists only.
  4. Heat and sharpsTongs, irons and dryers are hot. Razors and blades go in a sharps box. Cables tidy in a busy trailer.
  5. Consent and touchExplain what you're doing before you do it, especially around the face, neck and hair. Some performers have faith or cultural needs about hair and touch. Ask, and plan with them.
  6. Long chair timesEarly calls and long prosthetic applications mean fatigue for artists and performers. Plan breaks, posture and water.

Who is responsible

  • The HMU designer and supervisor run the department and its safety.
  • Prosthetics are applied and removed by trained artists.
  • The production books chaperones for children.
  • Each artist owns their kit's hygiene.

As a trainee, never

  • Never use a product on someone without asking about allergies first.
  • Never apply or remove a prosthetic you haven't been trained on.
  • Never share an eye or lip product between performers.

Anyone can say stop. If something feels wrong, say so to your head of department or the 1st AD.

Where this comes from

Checked 13 November 2026. This is awareness, not a safety qualification: follow your production's risk assessment and your head of department.

Check yourself

4 situations. Get them all right.

Pass the hygiene and consent check before fittings or make-up. One wrong safety answer means try again. It's practice, and your answers stay on this device.

Question 1: A day player sits in your chair for the first time. You're about to use lash glue.

Question 2: You've used a mascara wand on one actor. The next actor needs mascara too.

Question 3: A performer asks for their hair to be done by a woman for faith reasons. Your department has one woman on today.

Question 4: You notice a performer's skin going red and blotchy under a new adhesive.

AI in film and TV

How AI fits this department

Digital de-ageing and clean-up now sit alongside prosthetics and make-up. Consent for a performer's likeness is written and specific.

Learning path: Rights, consent and disclosure The AI channel Consent and credit

Hair and make-up, in detail

What it does on a UK unit

The designer decides how every character looks, from a natural day look to period wigs, wounds, ageing and prosthetics. The department applies the looks every morning, often hours before unit call, and keeps them right through every take and across a schedule that jumps about, sometimes for months.

In UK drama hair and make-up is one department and one craft: artists do both. Prosthetics may be a separate team or a specialist company.

Who it works with

  • Director and cast: character looks, tests and approvals.
  • Costume designer: the whole look of each character, agreed together.
  • ADs: the time each actor needs in the chair, which shapes the whole call sheet.
  • DoP and the grade: how skin reads on camera and in the colour grade.
  • Prosthetics, SFX and VFX: wounds, blood, ageing, and tracking markers on faces.

Kit and vocabulary

Term What it means
The chair Make-up time before an actor goes to set, listed on the call sheet
Checks / last looks The final touch-up the AD calls for just before a take
Continuity sheet The record of each character's look per scene, with photographs
Lace-front wig A wig with a fine lace hairline, glued for a natural edge
Appliance A prosthetic piece applied to the skin
Patch test Testing a product on skin before use, to check for a reaction
Crowd base The area where supporting artists are prepared

How to get in

Most people start as a hair and make-up trainee. You need both hair and make-up skills: a hairdressing qualification and a media or theatrical make-up course are a common combination. Salon, theatre, fashion and bridal work all help. The ScreenSkills Trainee Finder places hair and make-up trainees, and crowd days are a common first job.

Pay

Check the hair and make-up branch card on the Bectu rate cards index. The index shows the current version.

Where Futures in Film helps

We don't run a hair and make-up course. These pages will help you get to a first job:

Where we come in

Hold a hair and make-up grade on a crewed unit.

ApplyTrain in Hair and make-up

Last reviewed 9 November 2026