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Learning path · Costume and make-up

Costume, hair and make-up

Hygiene, patch tests and dignity in fittings first. Then how costume and hair and make-up design, fit, keep continuity and create effects for the screen.

Free films in teaching order, for one craft. Watch, tick them off and test yourself. It's practice that prepares you for an Academy course. This one prepares you for the costume, hair and make-up course (coming).

19 lessons · About 3.5 hours · New to set to working crew · Not started

Lesson 1

Makeup Kit Sanitation | Your ultimate step-by-step guide

Julie Ruby · 17:01 · original on YouTube

You will learn: Sanitise a make-up kit properly between artists.

Note: Hygiene is a professional standard, not optional.

Safety first

Hygiene, skin tests and dignity

Hair and make-up work on faces, eyes and skin, all day. Hygiene stops infections, patch tests stop reactions, and consent and dignity matter in a chair as much as on set.

The hazards

  1. HygieneClean brushes, disposables for eyes and lips, no double-dipping, sanitised tools between performers. A dirty kit spreads infection across a cast.
  2. Patch tests and allergiesAdhesives, latex, dyes and some products cause reactions. Ask about allergies at the first chair and patch-test in good time before the shoot day.
  3. Prosthetics and chemicalsProsthetic materials, adhesives and removers need ventilation and the right handling. Prosthetics are applied and removed by trained artists only.
  4. Heat and sharpsTongs, irons and dryers are hot. Razors and blades go in a sharps box. Cables tidy in a busy trailer.
  5. Consent and touchExplain what you're doing before you do it, especially around the face, neck and hair. Some performers have faith or cultural needs about hair and touch. Ask, and plan with them.
  6. Long chair timesEarly calls and long prosthetic applications mean fatigue for artists and performers. Plan breaks, posture and water.

Who is responsible

  • The HMU designer and supervisor run the department and its safety.
  • Prosthetics are applied and removed by trained artists.
  • The production books chaperones for children.
  • Each artist owns their kit's hygiene.

As a trainee, never

  • Never use a product on someone without asking about allergies first.
  • Never apply or remove a prosthetic you haven't been trained on.
  • Never share an eye or lip product between performers.

Anyone can say stop. If something feels wrong, say so to your head of department or the 1st AD.

Where this comes from

Checked 13 November 2026. This is awareness, not a safety qualification: follow your production's risk assessment and your head of department.

Check yourself

4 situations. Get them all right.

Pass the hygiene and consent check before fittings or make-up. One wrong safety answer means try again. It's practice, and your answers stay on this device.

Question 1: A day player sits in your chair for the first time. You're about to use lash glue.

Question 2: You've used a mascara wand on one actor. The next actor needs mascara too.

Question 3: A performer asks for their hair to be done by a woman for faith reasons. Your department has one woman on today.

Question 4: You notice a performer's skin going red and blotchy under a new adhesive.

By the end you will be able to

  • Keep a hygienic kit, patch-test products and run fittings with consent and dignity
  • Break down a script for costume, hair and make-up and run a fitting
  • Keep costume and make-up continuity and work as an on-set standby
  • Apply natural screen make-up, prep hair for wigs and keep a hygienic kit
  • Create basic SFX make-up (blood, wounds, old-age stipple) after a patch test, under the HoD

Test yourself

Could you do it on a set?

4 real situations, one for each thing this path teaches. It's optional practice, not pass or fail, and your answers stay on this device.

Question 1: An actor needs a new foundation. What happens before it goes on their face?

Question 2: In a fitting, an actor is uncomfortable with a costume. What do you do?

Question 3: In scene 12 the actor's sleeves were rolled up. Scene 45 is the same story day. How do you keep continuity?

Question 4: You're asked to put a cut on an actor's forehead. What comes first?

Next: do it for real

Costume, hair and make-up course: coming.

There isn't an Academy course for costume, hair and make-up yet. Register interest and we'll tell you when it opens. Meanwhile, Day One covers safety and how a set runs for every department, and experienced crew can book a competency check directly.

How learning with FIF works

Learning path. Free films in teaching order, for one craft. Watch, tick them off and test yourself. It's practice that prepares you for an Academy course.

  1. Learn onlineFree films, paths and Academy coursesYou are here
  2. Competency checkA short check with us, online or in person
  3. In-person practicalOn our unit at Pinewood or 3 Mills
  4. FIF CertificateFrom the practical only

The FIF Certificate comes only from the practical. How it works · Book a competency check

Go further

Beyond YouTube, labelled honestly. Free first. Paid options are labelled.

For learners and trainers

Train with us on a working unit

Every lesson is a free video by its original maker, played from YouTube with privacy-enhanced settings. Found a broken video? Email [email protected].