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Learning path · Craft and technology

AI tools in film and TV production

What AI is changing in UK film and TV now (November 2026), the main script, post, generative and voice tools, and where consent, copyright and the unions draw the lines. Last checked 11 November 2026.

Free films in teaching order, for one craft. Watch, tick them off and test yourself. It's practice that prepares you for an Academy course. This one prepares you for AI tools Foundation.

18 lessons · About 3 hours; refreshed monthly · New to set to working crew · Not started

Lesson 1

Cloned Without Consent, with Voice Actor Faye Dicker and Equity's Shannon Sailing

BRAVA · 40:13 · original on YouTube

You will learn: Know what happens when a voice is cloned without consent, and what Equity advises.

Watch for: UK voices (Equity). Listen for consent, control and payment.

Safety first

Consent, likeness, data and rights

AI tools don't drop things on people, but they can harm them: copying a face or voice without consent, leaking a script, breaking data protection law, or putting someone else's copyright in your film. These are the rules to follow before you open a tool on a production.

The hazards

  1. Faces, bodies and voicesA person's likeness and voice are theirs. Get informed, written consent for each use, paid where it's work. Equity's AI toolkit and its 'Stop AI Stealing the Show' campaign set out what performers expect.
  2. Personal dataCast and crew details, faces and voices are personal data under UK GDPR; face and voice data used to recognise someone is special category data. Don't upload them to a tool unless the production has checked it and has a lawful basis (ICO guidance).
  3. Confidential materialScripts, schedules and rushes are covered by contracts and NDAs. Some tools keep or train on what you upload. Use only tools and settings the production has approved.
  4. CopyrightOutputs can copy other people's work, and the law on training and ownership is still being decided in the UK (the government consulted on copyright and AI in 2024 to 2025). Check what the commissioner allows, and keep a record of the tools and prompts used.
  5. DeepfakesSharing a sexually explicit deepfake of a real person without consent is a criminal offence in England and Wales under the Online Safety Act 2023. Never make or share one, even as a joke.
  6. Disclosure and jobsBroadcasters and commissioners ask what was made with AI: tell them. Bectu, Equity and the Writers' Guild all have guidance; read your union's before you use AI on someone else's work.

Who is responsible

  • The producer decides which tools are approved, and is responsible for rights and data on the production.
  • Whoever uses a tool checks consent, data and rights before they upload anything.
  • Performers decide what happens to their face, body and voice.

As a trainee, never

  • Never clone, alter or generate a real person's face or voice without their written consent.
  • Never upload scripts, rushes or crew data to an unapproved tool.
  • Never make or share a deepfake of a real person.

Anyone can say stop. If something feels wrong, say so to your head of department or the 1st AD.

Where this comes from

Checked 13 November 2026. This is awareness, not a safety qualification: follow your production's risk assessment and your head of department.

Check yourself

4 situations. Get them all right.

Pass the safety check before the rest of the path. One wrong safety answer means try again. It's practice, and your answers stay on this device.

Question 1: The director wants to use an AI tool to fix a fluffed line by cloning the actor's voice. The actor isn't on set today. What do you do?

Question 2: You want to summarise the shooting script with a free online AI chatbot. What's the right move?

Question 3: A crew member shares a 'funny' deepfake of a cast member in a crew group chat. What do you do?

Question 4: A commissioner asks if any shots in your cut were made with generative AI. Two were. What do you say?

By the end you will be able to

  • Use AI features in DaVinci Resolve, Premiere Pro, Topaz and Runway on real footage
  • Plan a generative-video or AI dubbing workflow and know its limits and costs
  • Explain the Equity, Bectu and WGGB positions, consent for voice and likeness, and how to label AI-made media

Test yourself

Could you do it on a set?

4 real situations, one for each thing this path teaches. It's optional practice, not pass or fail, and your answers stay on this device.

Question 1: You used AI in Resolve to remove a boom shadow. What do you do before delivery?

Question 2: What's a real limit of generative video for scripted drama today?

Question 3: A director wants to clone an actor's voice for a pick-up line. What's needed?

Question 4: How do you label AI-made media for a UK broadcaster?

Next: do it for real

This path prepares you for AI tools Foundation.

Rules before tools, then AI in pre-production, the edit, VFX and clean-up, sound, generative video, and rights and disclosure. Optional practice task: one real clip through transcript search, clean-up and a mask, logged and labelled.

It's free and open in the pilot. Finish it to book a competency check, then a practical on our unit.

How learning with FIF works

Learning path. Free films in teaching order, for one craft. Watch, tick them off and test yourself. It's practice that prepares you for an Academy course.

  1. Learn onlineFree films, paths and Academy coursesYou are here
  2. Competency checkA short check with us, online or in person
  3. In-person practicalOn our unit at Pinewood or 3 Mills
  4. FIF CertificateFrom the practical only

The FIF Certificate comes only from the practical. How it works · Book a competency check

Go further

Beyond YouTube, labelled honestly. Free first. Paid options are labelled.

For learners and trainers

Train with us on a working unit

Every lesson is a free video by its original maker, played from YouTube with privacy-enhanced settings. Found a broken video? Email [email protected].