The focus puller keeps the story sharp.

The job

The focus puller, or 1st AC, keeps it sharp as actors and camera move. You measure, mark and judge distances, then pull live, usually on a wireless follow focus and a monitor.

The camera is yours too: the build, the lenses and accessories, and keeping it all working. In prep you test the package at the rental house with the DoP. You lead the 2nd AC and the trainee.

A typical day

• Build the camera with the 2nd AC first thing.
• At rehearsal, watch the actors, take distances and set marks with the 2nd.
• During lighting, change lenses, check filters, set up the focus unit.
• Pull every take. If it was soft, tell the operator and the DoP.
• Between setups, rebuild for new rigs. At wrap, check the kit.

Skills

• Judging distance and focus by eye and by tools.
• Cameras, lenses and accessories, inside out.
• Fast, safe camera builds for every rig: hand-held, dolly, crane, vehicle.
• Steady nerves; there is no second chance in a take.
• Leading the camera assistants.

Who you report to

You report to the camera operator and the DoP. The 2nd AC and camera trainee report to you.

How people get in

Most 1st ACs have worked as 2nd ACs on several productions and practised focus on second unit and smaller shoots. ScreenSkills publishes a skills checklist for the grade. The GBCT sets membership standards for each grade.

Next step up

Camera operator, or focus puller on larger shows. Some move into DIT work or cinematography directly.

Find out more

• ScreenSkills: 1st AC/focus puller skills checklist
• Pay: Bectu Camera Branch card, 2025