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Learning path · Post-production

VFX basics

VFX foundations: the pipeline, shooting for VFX on set, and keying, tracking, roto and compositing in Fusion, Nuke and After Effects.

Free films in teaching order, for one craft. Watch, tick them off and test yourself. It's practice that prepares you for an Academy course. This one prepares you for the vfx course (coming).

21 lessons · About 5.5 hours · New to set to working crew · Not started

Lesson 1

Introduction to On-Set VFX Data

Visual Effects Society · 1:00:04 · original on YouTube

You will learn: Know what on-set VFX data is gathered and how to fit in around the shoot.

Watch for: Long: watch the first 20 minutes. Listen for when the data team gets time on set, and who gives it to them.

Safety first

On-set data, scanning people, screens and crunch

VFX works in two places: on set, gathering data around moving kit, and in the studio, at a screen for very long hours. Both have hazards, and both handle images of real people that need consent and care.

The hazards

  1. On set: data around moving kitMeasuring, HDRI and witness cameras happen between set-ups, near cranes, track and lamps. Work where the 1st AD and grips allow, and never climb to place tracking markers: ask for proper access.
  2. Scanning peoplePhotogrammetry and body or face scans are a performer's likeness. They need informed, written consent for the use agreed in their contract (Equity's guidance), and scan data that can identify someone is personal data under UK GDPR.
  3. Lasers and LiDARSet and object scanners can use lasers. Follow the scanner's class rules, keep people's eyes out of the beam, and clear the area while scanning.
  4. Your workstationChair, desk and screens set up for you, with short breaks away from them. The DSE Regulations apply if you're employed.
  5. CrunchVFX deadlines bunch up. Most workers can't be made to average more than 48 hours a week unless they've opted out in writing. Talk to your lead early, and know Bectu has a VFX branch.
  6. Client securityUnreleased shots stay on the studio's systems. Many clients audit vendors against the Trusted Partner Network standard: no personal devices, no sharing, no screenshots.

Who is responsible

  • The VFX supervisor leads on set; the on-set data wrangler works to the 1st AD's timings.
  • The VFX producer sets schedules and hours; leads look after their teams.
  • Production and the studio agree what scan data is collected, why, and how long it's kept.

As a trainee, never

  • Never scan or photograph a performer for VFX without their consent and production's say-so.
  • Never take client shots off the studio's systems.
  • Never climb a set or a rig to place a marker.

Anyone can say stop. If something feels wrong, say so to your head of department or the 1st AD.

Where this comes from

Checked 13 November 2026. This is awareness, not a safety qualification: follow your production's risk assessment and your head of department.

Check yourself

3 situations. Get them all right.

Pass the safety check before the rest of the path. One wrong safety answer means try again. It's practice, and your answers stay on this device.

Question 1: Between set-ups, the VFX supervisor asks you to grab a quick photogrammetry pass of a supporting artist 'while we have them'. Nothing about scanning is in the call sheet. What do you do?

Question 2: A tracking marker needs to go high on the set wall. There's a wobbly chair nearby. What do you do?

Question 3: A friend asks to see the creature shot you're working on for an unreleased series. What do you say?

By the end you will be able to

  • Explain the VFX pipeline and the main roles
  • Light a green screen, place tracking markers and capture lens grids and HDRIs on set
  • Key and composite a green screen shot in Fusion and Nuke
  • Planar-track, camera-track and rotoscope a shot

Test yourself

Could you do it on a set?

4 real situations, one for each thing this path teaches. It's optional practice, not pass or fail, and your answers stay on this device.

Question 1: What does a matchmove artist do?

Question 2: Before a green-screen shot, what should VFX capture on set?

Question 3: Your key has green spill on the actor's hair. What do you do?

Question 4: You need to put a new sign on a moving wall. Which track do you use?

Next: do it for real

VFX course: coming.

There isn't an Academy course for vfx yet. Register interest and we'll tell you when it opens. Meanwhile, Day One covers safety and how a set runs for every department, and experienced crew can book a competency check directly.

How learning with FIF works

Learning path. Free films in teaching order, for one craft. Watch, tick them off and test yourself. It's practice that prepares you for an Academy course.

  1. Learn onlineFree films, paths and Academy coursesYou are here
  2. Competency checkA short check with us, online or in person
  3. In-person practicalOn our unit at Pinewood or 3 Mills
  4. FIF CertificateFrom the practical only

The FIF Certificate comes only from the practical. How it works · Book a competency check

Go further

Beyond YouTube, labelled honestly. Free first. Paid options are labelled.

For learners and trainers

Train with us on a working unit

Every lesson is a free video by its original maker, played from YouTube with privacy-enhanced settings. Found a broken video? Email [email protected].